New Concepts in Linear Improvisation
A practice method for all instruments
By Ramon Ricker

Contents:
Chapter
I.Modal Scales and Diatonjc Seventh Chords
II.Minor Seventh Chords and the Dorjan Mode
III.Some Suggestions for Learning to Play Changes
IV.Dominant Thirteenth Chords and the Mixolydian Mode
V.Major S±xth Chords, Major Sixth/Ninth Chords, and the Lydian Mode
VI.The II-V-I Progression
VII.The Lydian b7 Scale
VIII.Suspended Chords and the Phrygian Mode
IX.The Diminished Chord and Diminished Scale
X.Altered Ninth Chords and the Half Step/Whole Step Scale XI.The Half-Diminished Seventh Chord, and Scales
Derived from the Locrian Mode
XII.Dominant Chords with Altered Fifths and Ninths
XIII.Pentatonic Scales
Appendix A. More Suggestions for Practice

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